miércoles, 10 de octubre de 2012
sábado, 6 de octubre de 2012
Preparing for the purfling
So here I´ve routed the 1,3mm channel for the purfling
and below you can see my hands bending the purfling on my supersimple
bending iron that I also used for bending the sides. Its made of a 25mm
iron tube that I found. Then I went to the chinese store and bought a 60
watt soldering iron ( 4,-€), which I crunched with a hammer and took
out the element. The element I put inside the tube, I plugged both ends
with aluminium paper. And here we go. It works the best upright. Then
you can find the part that has the right temperature. The further up,
the hotter it gets.
jueves, 4 de octubre de 2012
back rough finished on the outside
Here´s the outside of the back rough finished and
ready for purfling. As you can see, the knot is still there. It wont
disappear. I will take the decission what to do when the back has been
hollowed out. If its not looking like something that´ll fall out, then
it´ll stay. This violin is not an order. If it had been so, most
probably I would have had to make another back. People are getting
really picky nowadays. I dont mind that you can see that wood comes from
trees and this knot is very small.
martes, 2 de octubre de 2012
Carving the back
So here I´ve started ´diggin in´ Using the templates
you can see lying around on the top left as guides. You can also see
that a small knot has shown up on the surface. Lets see how that
devellops.
I really like this photo.
I really like this photo.
domingo, 30 de septiembre de 2012
Chiseling the edge of the violin back
Next step was to chisel the edge. 5mm thick, 10mm wide (7mm wide in the C)
Be carefull when chiseling curly maple. The grain is going everywhere. Be slow.
Be carefull when chiseling curly maple. The grain is going everywhere. Be slow.
viernes, 28 de septiembre de 2012
Starting the back of the violin
So, I´m working a bit on the violin again
The back is one piece higly figured european maple. I have read , so I know that when building my first violin, I shouldnt use wood like that. Its to complicated to work with. But since I´m kinda stupid, very ignorant and a complete sucker for one piece higly figured maple violin backs, well, I decided to use this piece.
First the chunk is sawn more or less in size and with the drum sander taken down to 16mm thickness.
Next the thing is sawn out with the band saw...
Another thing is that i upload photos and comments on the building of guitar number 100 almost every day.
http://news-from-the-workshop.blogspot.com.es/p/building-guitar-number-100.html
domingo, 9 de septiembre de 2012
What does a 2A guitar mean?
I´m often asked what a 2A guitar is
and what the diference between a 2A and a 1A guitar is.
Literaly 2A means ´segunda´ or second
as opposed to 1A which means primera or first/best.
In real life, 2A can mean a lot of
things but it always means a cheaper guitar than a 1A guitar. It can
be an apprentice guitar with the masters name on or it can be the
master himself using some not so high grade wood he has lying around
that he wouldnt use for his first grade model. It can be so many
things that each case might be different, but in general, 2A guitars,
we only make when we dont have enough clients for our top model
guitars. Its a way of covering a cheaper market. Reaching clients
that for different reasons dont want to pay what our top model costs.
In my own case, I dont buy wood for 2A
guitars, but when I build one, I choose the wood that I find to be
esthetically lower grade. A good example will be the 2A negra that
I´m finishing now. The soundboard is german spruce, Very well
quatersawn. Straight, tight grain and absolutely no runout. But it
has some brown striping towards the edges. Top quality soundwise.
The back and sides are form different
sources. The sides are left overs from 2 sets, where I´ve cracked
the other part during bending. One of them I´ve had lying around for
6 – 7 years the other is recent. Lookwise they are almost
identical, but they are from 2 different trees.
Besides that, 2A guitars from me have
very simple ornamentation. A simple, but handmade rosette and less
purfling on back and sides. Also, the French Polish is done a bit
faster with less levelling between the layers.
Other times, my 2A guitars have been
test guitars. I remember having made one which I finished with
polyester lacquer on the back and sides and another, testing a
bracing system
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